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By: P. Archibald Furtado.
“Fondacho Mister” delivers what many regional films struggle to balance—entertainment with a message. Clocking in at 2.3 hours, the film keeps the audience engaged with a mix of light-hearted scenes and gripping suspense, all woven into a family-friendly narrative.
From the outset, the intention is clear: this is a film made for the masses, not the classes. And in that effort, director Rayan Magneto succeeds admirably. The film captures attention not through extravagant stunts or convoluted plots, but with relatable storytelling, generous doses of humour, and a climax that surprises and enlightens—especially through the strong, thought-provoking message delivered by the priest in the final act.
Technically, the film scores high. The cinematography (Alwyn Sequeira) largely set in cemetery locales, aristocratic home interiors, and open village surroundings, is evocative and well-composed. The background score, (team Prajoth DSa) including Jerome D’Souza’s ever-popular “Sa Phuticho Goond Gavn”, adds nostalgic charm, while another song (lyricist Melwyn Pernal) aptly fits the dramatic twist—both deserving special mention.
The ensemble cast performs admirably. The characters of the Vicar, Vice President, Secretary, (Melwyn Pernal) Butler (Louis Pinto) Chamador, (Alwyn Danthy) and Kidnapper (Arvind Bolar) stand out with nuanced portrayals. Particularly impressive is Albert, whose brief role—despite being a dead body—leaves a memorable impact. Kellam (Kelvin Saldanha) and Lesto (Leston Nazareth) offer moments of promise, although their performances at times teeter towards overacting, a minor blemish in an otherwise well-balanced script. All the leading female actresses fairly done justice to their respective characters …
One disappointing stretch is the portrayal of the Parish Pastoral Council meeting and the chaos that follows. The scene, though perhaps intended for comic relief or dramatic effect, misses the mark and could have been omitted without harming the storyline.
Nevertheless, the film shines in what it set out to do—entertain with a purpose. It delivers ample lighter moments, clever twists, and an emotionally resonant conclusion. Full credit to the producer, director, and the entire team for bringing to life a Konkani film that avoids clichés and keeps viewers invested.
In sum, Fondacho Mister is a commendable effort, both artistically and culturally, a short story of an old man’s coffin goes missing after burial the parishioners first got stunned and shocked as three / four interested parties involved in the mysterious chain of events keep the audience glued to their seats…. I think it’s enough about the mysterious journey of coffin in – out – in, and its left to you watch it on silver screen….!! It reaffirms the richness of Konkani cinema and proves that regional films, when crafted with sincerity and skill, can leave a lasting impression.
We watched the film today in Bharath Cinema at 4.30 pm, a houseful show, with family members as the happiness and contentment in their faces much more than in me….speaks in volumes.
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